English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.  Related Paintings of John William Waterhouse :. | Study of a Garden on Capri | La Belle Dame sans Merci | Hylas and the Nymphs (mk41) | Scene at Pompeii | Wildflowers (mk41) |
Related Artists:
Kole Idromeno
Kolë Idromeno (1860-1939) was an Albanian painter, sculptor, photographer, architect and engineer. He was born in Shkodër, where he learned the first elements of photography from Pietro Marubi. In 1876 he stayed for some months at the Academy of Fine Arts in Venice (Accademia di Belle Arti di Venezia), and then worked in the studio of an Italian painter. When back in Albania (1878), he engaged himself in a number of different activities, working as an architect, sculptor, photographer, scene-painter, engineer and painter. He was the initiator of the first art exhibition in Shkodër (1923) and was represented in the first national art exhibition in Tirana (1931). He established a very active photographic studio. Idromeno was the first painter to show motion pictures in Albania in 1912. He had kept up a correspondence with the Lumiere brothers in Paris.
CAMPI, Vincenzo
Italian Painter, 1536-1591 Vicenzo Campi (c. 1536 - 1591) was an Italian painter of the Renaissance from Cremona. His style merges Lombard with Mannerist styles, however, unlike his siblings, he is known for a series of canvases, mostly painted after 1570s , displaying genre scenes and local produce. At the time, this type of paintings were uncommon in Italy, and more common in Netherlands, as exemplified by the canvases of Joachim Beuckelaer. In Cremona, his extended family was the main artistic studio of his time. Giulio Campi and Antonio Campi were reportedly half-brothers, while Bernardino Campi was a distant relative. All were active and prominent local painters. In 1586-1589, he and his brother Antonio completed paintings for the church of San Paolo Converso in Milan.
John J Enneking
1841-1916